12/11/2023 0 Comments Radial engineering jcrDI tracks need headroom in the DAW not to clip on the loudest transients (which are wildly higher than the signal average), and have a shockinly low signal average outside of those peak transients. In speaking with Glenn and othere professionals, I came to realize that, although a reamp is designed to transformer balanced line level to unbalanced instrument level and therefore 'shouldn't need gain' (as I previously believed), the fact is that a properly captured DI track is extremely dynamic. Your tracks are too important to risk with anything less. Unlike every other mass produced reamp on the market, I personally make sure each and every one of these are absolutely perfect before they go out. The Signal Art ReAmp has been used and praised by a number of noteworthy engineers, artists, and influencers, including Ryan Earnhardt (Creative Sound Lab) and James Murphy (freelance producer, mixer, and mastering engineer, as well as legendary guitarist).Įach of these reamps are personally hand-wired and built by me and are sweep-tested for phase, THD, level, and frequency response. "Developed in cooperation with Glenn Fricker from Spectre Media Group and based on my earlier Re-Amp design, this new version of my Re-Amp features a very high end custom wound American made transformer and provides a whopping output potential of +10dB in normal use (a nearly 6dB step up from a balanced +4 line input source), high enough to drive any re-amping application. Production description from manufacturer: I returned multiple Radial Engineering re-amping boxes due to their high line noise (including RFI/EMI) and inability to send a CLEAN signal to my high-gain tube amp. This box is hand built and designed to provide an extremely clean signal with significant headroom available to boost a low level DI track. Recently purchased for $250 new and only needed to use it to re-amp a single studio album.
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